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The Moment: De La Soul, Eye Am Eye Be
I did not have a light meter to tell me the proper f-stop to set my aperture, nor did I have polaroid back to see what things actually looked like. My camera was a Canon AE-1 Program, manual everything.
I would make the flashes pop every so often so I could see where and how the light fell, I did a few calculation to determine possible f-stops based on feet of the flash away from the subject, how much light I would lose because of the gel on the flash, it was the best I could do.
The Moment: Mos Def & Talib Kweli, Get By
I motioned my hand asking to take one photo of him and Talib. They looked at each other and agreed. I stepped back, focused my Yashica Mat (124 G) camera, took one shot and thanked them as they headed for the stage.
The Moment: The Pharcyde, As One
Using the ambient light in the hallway I began shooting them from different angles. After the first 8 frames, the group relaxed and stopped doing the typical 'rap, yo!' poses, vibing with each other. Each of their actions was fluid, in sync with the movements of the others. If there was a low angle shift, someone else moved high; if someone gave a look, someone else would motion or adjust their look to stay complementary to the person adjacent.
The Moment : Lauryn Hill
When I arrived on set, the taping of the video was in full swing, and Lauryn and crew were handling all that needed to be accomplished, moving from scene to scene.
The Moment: The Original Roots Crew
After meeting The Roots at the park, we started out with some shots near a playground area. Then, we moved and sat on large cement step or bleachers. Questlove, Black Thought, and Malik B. flowed in their space. I didn’t direct them. I just want to capture them in their essence.
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